Experiencing the West Lake 

13th Century: Cyclicity and Crowdedness
16th-mid-17th Century: Individualization and Reciprocity
Mid-16th-18th Century: Structuring and Positioning
   


  13th Century: Cyclicity and Crowdedness
 
  The way of experiencing West Lake in the 13th century is distinct from that of later times. The visitors' experience was enhanced by the annual cycle of events and by the presence of crowds in the landscapes. The Past as Dream 夢粱錄, a memoir by Wu Zimu 吳自牧 about Hangzhou, was probably first published in 1275. Its first six scrolls are dedicated to a series of annual activities taking place in the Hangzhou area. West Lake does not have a separate section in the first six chapters, but is mentioned only occasionally a location for people to enjoy the beauty of a particular time. Events determined the best time to enjoy the Lake. For example, in the second lunar month, after the worship of earth and crops, the Prefect always established a fund to improve the Lake area. Money was earmarked for repairing bridges and mending roads in the north and south hills along the lake, and for replanting flowers on the dikes so that people could easily enjoy the area. (6) On the sixth day of the sixth lunar month, after burning incense and prayer papers in the Lingzhi Temple 靈芝寺 (Lingzhisi), most people boarded decorated boats anchored in the lake alongside the dikes, and spent the remainder of the day drinking, singing, or just napping. (24) [table of contents of the first scrolls]
  A similar appreciation of the lake is shared by Zhou Mi 周密 whose Old Affairs of Wulin 武林舊事, published after 1279, is another wide-ranging book about Hangzhou. In its third and tenth scrolls, a variety of activities is once again arranged in the order of the months. Some visitors' activities occur in Hangzhou City, some bypass the lake and proceed to the temples in the mountains, and some are sight seeing trips on or beside the lake. People are drawn to the lake mostly for an annual event, a seasonal attraction or a periodic social gathering. The sense of time-or more precisely the sense of cyclicity-is very strong. We can even take Zhou's record of the joys of companionship with a friend as detailed guidance on where to go and what to do in each lunar month. For instance, mid-autumn, the ninth month, is the time to see lotuses on the Dike of Su Shi 蘇堤 (Suti), and mid-winter, the eleventh month, is the time to seek plum blossoms in the Isolated Hill 孤山 (Gushan). Zhou also knows that the appearance and fun of a place vary according to the month. The most revealing case is "South Lake" 南湖-it is in fact the southwestern part of West Lake, located between the Su Dike and the west shore. There are seven different activities going on there through the whole year, including daylily viewing in the fifth month and snow watching in the twelfth. If the proper time is missed, a visitor can only come again in another year for the same experience. The opportunity does not wait, because time is unstoppable, but another opportunity is assured, because time is cyclical. Time also determines the quality of the experience. People may pay little attention to the lake when on an annual pilgrimage to a temple. They may linger in a pavilion by lake for a short while watching seasonal blossoms, or they may spend all day enjoying a wide variety of activities on the lake. (409-411) Events, just like scenes, are sorted out and integrated into time cycle. It thus seems fair to say that the sense of cyclicity of time was at the core of Song people's experiences of West Lake. [list of activities from the tenth scroll] It is interesting to note that the tidal bore of the Qiantang River, a famous tourist attraction in later times, was also mentioned in Zhou's work under the eighth lunar month. Wu Zimu gave a more detailed account of the Qiantang tidal bore in his book in the chapter on the eighth lunar month. (27-29) Wu's and Zhou's books seem to indicate that by no later than the thirteenth century this natural phenomenon had become a tourist attraction.
  Another element that enhanced the experience of West Lake was the presence of crowds. Crowds formed at annual festivals or for seasonal activities. For some occasions, the crowd spread into areas around the lake. From the sixteenth night of the first month (shoudeng, 收燈) to the early days of the third month (jinyan, 禁煙), people frequently went out of the city for hiking, boating, or kite flying. On other occasions, the crowd flooded in from the city, taking the lake as a place to continue their festivities. Sometimes the crowd took shape as groups of pilgrims from several areas converged, crossing the lake as part of their pilgrimage. The crowd was too magnificent to ignore. Zhou Mi is one of the authors obsessed with its presence. In his own words, "The two dikes are crowded with men and women from the capital [Hangzhou]. There is almost nowhere to stand. The surface of the water is filled with decorated boats, lining up like fish scales. It is almost impossible to make a way to let the boats float by." Moreover, the appearance of the lake changes as the crowd moves. He quotes a couplet, "Seeing all the decorated boats pass the Xiling Bridge 西泠橋 (Xilingqiao)/ Half of the lake quietly yields to the beauty of spring." (331) The crowd does not seem to bother him. Quite the contrary, for Zhou, the crowd is an indispensable constituent of the whole spectacle of the lake.
  Wu Zimu resonates with Zhou's sensibility. One example will be sufficient. Zimu describes the progress of a boat race on the eighth day of second month, part of the worship of a hill god whose birthday is three days later. He reports the colors, the sounds, and the shapes. Nothing is left out. As for the people on land, he describes them as "walking back and forth on the Dike of Su Shi, swarming like ants." He continues to explain that it is a common occurrence that Hangzhou people, whether poor or rich, go on outings in spring. (7-8) However, outings are not exclusively limited to spring, since each season has its unique splendor, as he stresses in a chapter dedicated to West Lake. (106) People approached the lake not only for sight-seeing. Religious or cultural events can serve as the incentive as well. Wu is so sophisticated about the multiplicity of reasons that he uses "custom" (風俗) as a term to indicate the outcome of the interaction between the multiple factors that collaboratively form the crowd. (8) The size of the crowd may vary from time to time, but there is no way to erase it from the landscape. Moreover, his interest in custom allows him to include in his book many human activities and products. In a chapter on lake boats, he describes all the types of boats for various purposes. Among the others, commercial service boats staffed with people to provide entertainment, food, and beverages, plied the lake. Profit intertwined with other motives to attract many kinds of human activities into the area. Commercial activity not only increased the complexity of the crowd, but also the richness of the landscape. (110-111) The idea that the diversity of the crowd enhances the attractiveness of the lake is clear in Zhou Mi's descriptions of the lake, though he does not explicitly use the term "custom." (330) [translation of the part on lake boat]
  Finally, the attitudes of Wu Zimu and Zhou Mi toward the buildings in the West Lake area are very interesting. Generally speaking, Wu and Zhou both consider buildings to be interesting spots to visit. However, some of the buildings recorded in their books had completely decayed years earlier, leaving no remnants. Wu explained why he still writes of them, "They [the buildings] are…traces of past worthies, so they cannot be forgotten. All my efforts are devoted to keeping the buildings remembered. Collecting their names in my book is the way I achieve this goal." (106) In a similar vein, Zhou records more than 400 buildings in the fifth scroll of his book, whether or not they still existed. About 130 buildings are listed without any information except their names. The rest are described in a few words each, usually only a mention of their alternative names or the names of their past owners. Information on date of construction, restoration, rebuilding, or ruin is not always provided, despite the fact that most of the changes were probably initiated by Worthies. (Worthies were respected persons notable for their virtues or political achievements.) Neither are locations of the buildings always given. Locations were referenced to the geographical structure of West Lake area, which was considered to consist of five lines of mountains, two dikes, one valley, two peaks, and one cluster of hills. (351-366) Neither author invested much effort to include the literary creations inspired by the buildings, even though they would have been the products of worthies' activities. Zhou, as well as Wu, seems to think that the name itself is sufficient to preserve the memory of already absent buildings, and that the memory so preserved needs not to claim any span of time, or any extent of space. [sample section]
  The attribution of such vital significance to name in keeping memory could perhaps be explained by the times in which these books were published. The Past as Dream was published no earlier than 1274, only two years before the fall of the Southern Song Dynasty. The Mongolian threat was already fully felt. Hangzhou was lost to the Mongols years before the publication of Old Affairs of Wulin. The sense of loss in the book is severe. Less than one and half centuries earlier, the Northern Song Dynasty lost north China to the Jurchens. That event meant the loss of access to and the destruction of familiar environments, including buildings. Buildings cannot be carried around. Wu Zimu and Zhou Mi saw the possibilities that Song people could rebuild elsewhere dramatically decrease, if not disappear. The loss seemed likely to be forever. Under these circumstances, locations and descriptions become unreliable, like dreams or past events, difficult to revisit or verify. What can always survive without doubt? Perhaps, only the names. Wu and Zhou did not necessarily intend to exclude other elements from their books. As long as names acquire their textual presence, memory stands. Monuments made only of names serve as sufficient markers in the landscape of memory, though other materials can still be added.


 
 

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